Showing posts with label Alien Vows. Show all posts
Showing posts with label Alien Vows. Show all posts

Monday, June 7, 2021

Musings on my muse: The care and feeding of my inner control freak

If you met me, you would probably think I'm perfectly normal.  But inside, I do have a quirk that makes me a tad different from most folks: on one level, I'm a control freak. This might surprise a lot of people who see me as reasonably laid back (except when I'm worried about my kids, and then I freak out).  

But I'm a different person when I write books. It's not just being a writer that makes me different. Technology has made it much easier to write and to publish, which has revealed that gazillions of folks have that ambition. Some of them write hoping to make money, some write hoping for recognition or fame, and some write because they enjoy it. I write because I want people to read what I have written. Let me stress that—what I have written. What appeals to me writing stories is that by writing them as science fiction or fantasy, I control not only the characters but the setting. I can create my own worlds, each with its own appearance, environment, inhabitants, and cultures. And I can populate those worlds with whatever characters I think would make for an interesting story.  

In the Wakanreo trilogy (Alien Bonds, Alien Vows, and Alien Skies), I created a world where  an alien people mate because of biological reaction that cannot be controlled. I wanted to create a society in which sex was completely divorced from morality, and where nudity was not linked to a desire to provoke a sexual reaction. I also foresaw greater equality between the sexes and among socioeconomic groups; because there was no such thing as marriage, either arranged or from affection, and divorce did not exist, class structures were too difficult to enforce. Also, since pairing off was purely pheromone-driven, looks didn't matter. Add to this the question of love; just because you paired off with someone doesn't mean you have to love him or her.


In Tribes, I wanted my readers to inhabit a world where there was one overriding loyalty, at least in a legal sense. Belonging to a tribe was a a life-long and immutable thing. One's tribe provided security, a safety net against disaster, and also determined what was legal for an individual. On the other hand, if someone had no tribe, his life was doomed to slavery, drudgery, and degradation. Interjecting a slave into such a setting provided a way to see how the other characters behave toward him.

But setting a story on another world or in the future isn't the only way to control all the facets of my story. In Hidden Magic, I gave some characters magical abilities, but plunked them down in a society that feared and suppressed magic. I made them brother and sister, and then, because I enjoy a romance, I had each of them find someone they loved.  

I don't only read science fiction and fantasy. I enjoy mysteries, historical fiction and historical romance, and even sometimes young adult novels. But I don't think I would ever write in those genres because I would be stuck with the rules imposed by reality. 





Saturday, January 23, 2021

Writing in a series, and finding a good surprise

 Writing in a series has at least one basic difference from writing a standalone:starting with book 2, you have to allow for the reader not having read book 1 in a while, or even never having read book 1 at all. Therefore, you may need to explain things from time to time. The tricky part is, you don't want to bore the reader who has read book 1 recently (or who read it a while ago, but has an excellent memory). If a story keeps telling the reader things he already knows, he will get bored with it. It's basically a balancing act between  the need to move the story forward and the need to make the reader understand what's happening and why.

Another big difference is, in a series you can follow one character for years, if you can keep coming up with interesting things for them to do. That's a real plus if you have a character you want to grow and change with time.

Readers who fall in love with one or more characters tend to love reading a whole series about them. This can be a problem for the writer, who wants to move on. Personally, I've never sat down to write a book that hadn't already sprung  to life in my head. My first published work is 2-book series set on the panet Haven , I have another 2-book series (not yet published but coming soon) called the Nameless World series. They are very different in the way there were written. I thought of the Haven books as two stories while I was writing them; there is a nine year gap between the two books, for one thing, and characters who were secondary in book 1 come front and center in book 2 for another.  Ergo, I ended book 1 before I moved on to write book 2.

The Haven Series


The Nameless World books were written as one story but it was so damn long (240,000 words!)  that I eventually decided I had to cut it into two books. I found a place where a few months elapsed, and added a little additional text to give the book some resolution, I  made that the end of book 1. I also had to add some text to the start of book 2, and I had to edit the rest of the m.s. carefully to allow for the non-reader of book 1 (see first para in this post).

Cover at for Nameless World, Books 1 and 2


My three-book series set on the planet Wakanreo was kind of an amalgam of the other two series. I saw it as two books, one about the relationship between a human woman and a Wakanrean man, and another one about their children. However, on writing it, the "second book" turned into books 2 and 3. 

The Wakanreo series

I usually end a series because I have no more story in my head for that setting and those characters. That's not a problem until readers express a desire for more books in that series. This has happened more than once with the Wakanreo books in particular. I remembered starting  a fourth book, but as I recalled, it was only a few chapters, more of a short story than a novel. I published Alien Bonds in 2018, but I wrote the first draft more than 20 years ago, using a DOS-based software called XyWrite. I went looking for those few chapters and discovered to my surprise that the file was actually 56,000 words, nine and a half chapters! Luckily, I had transferred it into MS Word so I could read it. 

Now I have to decide if I want to return to Wakanreo with a book 4. But first I have to remember how I planned for the book to end! 


Saturday, August 29, 2020

Wakanreo, world without castes

One reason I enjoy setting my stories in fantasy worlds, or in the far future is that it lets me create the world itself-- not only the geography, but the culture. I especially like to try different dynamics as far as gender, sometimes making men and women equal and sometimes giving more power to one sex or the other. 


But when I created the Wakanreo trilogy that begins with Alien Bonds, I took my world building to a new level. The aliens known as Wakanreans are unique in my far future universe because they mate for life from a pure biological reaction. I was reminded of this recently when I was reading a couple of recent articles about the new Netflix show "Indian Matchmaking." I saw the first one in the Washington Post. It described how many Indian families still rely on old-style matchmakers who connect people looking for spouses. In fact, 90 percent of marriages in India are arranged, I found that statistic amazing. 

The thing is, when these marriages are arranged, they almost always result in couples from the same caste marrying, which reinforces India's strict caste system. Many countries have stratified levels of society based on wealth, occupation, and such, but India's system comes from the Hindu religion and not only assigns names to castes but treats the stratification as being justified by the will of their gods,

Then I saw a second article in my news feed; this one, from Al Jazeera was also about the same Netflix show but it mentioned that Indian Muslims practice arranged marriages and that they use them to also practice "classism, ethnocentrism, and colourism."  So, even though it wasn't part of their religion, these folks were relying on arranged marriages to maintain the same kind of stratification that a caste system imposes.

And of course, in the Western world, many people use online dating apps to screen prospective partners for compatibility, not only of temperament but also income, race, and looks, so I can't claim it's purely an Indian thing. 

Finding a life partner is a serious matter, Some people stay single from choice, some from despair after a bad relationship, and some because they're waiting for the right person to walk into their lives. In Alien Bonds, I created a society where every adult is either paired off  (or every now and then, in a permanent threesome) or waiting to be paired off, based on a reaction beyond his or her control. This system has advantages and disadvantages for individuals, but one side effect is, there are no castes, no aristocrats, no stratification of society.

 

Thursday, August 29, 2019

Guest blog post!

I have a guest post on Delilah Devlin's blog. The post is all about how I came to write Alien Bonds.

Delilah Devlin is a perfect name for  science fiction romance writer! Check our her blog if you like steamy SFR.


Monday, May 20, 2019

Snippet from ALIEN VOWS

The Science Fiction Romance Brigade Facebook fanpage has a recurring feature called Snippets where members post a brief excerpt from a book. Below is an excerpt from Alien Vows.

To set the scene, Yulayan is a hybrid being. Her mother is human (Terran) and her father is Wakanrean. Wkanreans mate for life purely from biology. This has had a profound impact on their cultures, as sex is not seen as a matter or morality or even choice.. Yulayan has grown up on Wakanreo but has recently met a young Terran physicist named Kamuhi and has invited him to her family home for a two-day holiday. Everyone there is Wakanrean except for one other Terran guest named Shandrika. Kamuhi has just asked for a tour of the house.



 “Let’s start with my father’s rehearsal room,” Yulayan said.
 “Be sure to show him your room,” Juoam said. “We’re putting the two of you in there since the guest rooms are all full, and Hushi and his friend have your parents’ room.”
 “All right.” Yulayan turned to go and was surprised to see a look of astonishment cross Shandrika’s face. It was gone in a flash, but Yulayan was quite sure it had been there. She shot a quick glance at Kamuhi and noted that he, too, looked almost taken aback.
 She pondered this circumstance as she led the way through the main room and into the corridor to her parents’ wing. Kamuhi said nothing at all until he stepped through the doorway into the rehearsal room.
 “Neat,” he said, looking around at the oddly-textured walls. The whole room was built to balance sound. Even though there was very little furniture, there was no echo when he spoke. In the middle of the room, a gleaming sphere hung suspended almost two meters in the air. “What’s that for?”
 “It’s to provide a focus for my father’s mediation,” Yulayan said, with barely a glance at the sphere. “He mediates before every performance.”
 “Interesting.”
 “Why did that woman look so strange when Juoam mentioned we were staying in my room?” Yulayan said, coming straight to the point.
 Kamuhi spoke matter-of-factly, but Yulayan could tell he wasn’t entirely at ease. “I expect she thought we’re sleeping together.”
 “We are. There’s only one bed.”
 “I don’t mean literally sleeping. Terrans sometimes use that phrase to mean . . . something more intimate.”
 Yulayan was astounded. “You mean she thought we were going to have sex?”
 A smile tugged at the corners of Kamuhi’s mouth, but he didn’t let it get out of hand. “I’m sure the thought crossed her mind.”
 “How about your mind?”
 “Not for an instant,” he said promptly.
 “You looked very surprised,” Yulayan said, not convinced.
 “I was very surprised. But not because I thought sex was in the picture. It’s just that Terrans don’t usually share a bed with a member of the opposite sex unless they’re very young or they’re lovers.”
 “When you say lovers, you mean people who have sex together?”
 “Yes.” The smile tugged at his mouth again, and won the fight this time.
 “So Terrans only have sex when they’re in love?”
 “No.” He shook his head. “It’s something of a euphemism to call having sex making love.”
 “Hmmm. It seems very restrictive to me to say people of the opposite sex can’t share a bed unless they’re currently having sex, also. What do you do at holidays and festivals?”
 “We don’t have that many times when extended families stay together. Usually, if you have out-of-town company, they go to a hotel.”
 Yulayan was shocked. “Even if there’s room for them at your house?”
 “Well, where I came from, there’s not often room. Terra is very crowded, you know, and housing is limited. Even with emigration, the Terran population is still in the billions.”
 “Good heavens. Why do you have so many people?”
 Kamuhi was examining the sound equipment on one wall. “What? Oh, I guess the answer is that Terrans are based on a different evolutionary model. Our species favored excessive fertility to ensure continuation of an individual’s genetic line, instead of ironclad monogamy to be sure all or most of the offspring survived.”
 Yulayan frowned. “Sometimes you talk like a professor giving a lecture.”
 He grinned, not exactly apologetic, but at least with some level of contrition. “I know, and I’m sorry. Can we see the next room?”



Monday, October 8, 2018

ALIEN BONDS Price Reduction!

Now that my second Wakanreo book ALIEN VOWS is out, I have reduced the price of ALIEN BONDS to $2.99!  The paperback version has not changed price and is still .$12.99.


Wednesday, September 5, 2018

Alien Vows has launched!

Alien Vows, the sequel to Alien Bonds, and Book 2 of the 3 book Wakanreo trilogy, is now for sale on Amazon in both Kindle and paperback formats.


It took more than nine months, but I still feel like a should offer you a cigar! 

UPDATE: Alien Vows already has its first review!  It's short, but very good. Five stars, in fact! 


Saturday, September 1, 2018

Celebrating a 2-star review


The review of Alien Bonds above is interesting because it's actually an excellent review but the reviewer opted to give only 2 stars. This is certainly his or her prerogative. I have taken away stars in reviews for an ebook that was badly converted and full of typos (although never for a living author). And in this instance the reviewer made it clear the problem was not bad writing or a dull story, but simply the point of view from which the story was written. 

As someone who cannot read a present tense novel, I can empathize. Some writers like present tense because they think it's more immediate.  It's supposed to make the reader feel like the story is happening now. I can tolerate present tense when it's used intermittently, to show different timelines, for example; but after a while, present tense is like fingernails on a chalkboard to me. I just want it to be over. If the whole novel is present tense, I simply don't try to read it.

I will say that while the entire narrative of  Alien Bonds is certainly third person, I don't know that I would call it omniscient. I try to be sure every scene is in someone's point of view. There are at least three POV characters; I would have to read the book again to guarantee there aren't more. In the sequel. Alien Vows, there are five. I know some readers don't like "head hopping" from character to character, but the longer the Wakanro saga goes on, the more complicated it gets. I prefer to change the POV character and not have that person relate what happened later, in the main character's presence. To minimize the sense of head-hopping, I tend to write in a not-that-close third person, which may be why the reviewer saw it as omniscient. 

Anyway, kudos to Pygmy Amazon Reviews for sticking with my book! It's the best review I ever got from someone who didn't enjoy reading the book.


Monday, August 27, 2018

I made the jump to KDP print! (well, halfway, anyway)

UPDATE, Sept. 9, 2018: Amazon has changed things. They have cut off being able to input the ISBN and move the files from CreateSpace, so at present, if you have your own paperback ISBN, you cannot move your books from CS to KDP.  There was a link at the top of the KDP bookshelf to move all your books from CS to KDP, but it did not seem to work (at least not for me) and now it's gone. Hopefully, Amazon will restore it once it works properly.
------------------------
So, I keep hearing that Amazon will shutter CreateSpace, their separate self-publishing arm for physical "printing" (they do CDs and DVDs as well as paperback books) and make everyone use KDP, which now has an option to "Create Paperback."

In the past I stuck with CreateSpace because it had some functions not offered in KDP Print but it looks like those are pretty well accounted for now.  In additon, if the book already exists in CreateSpace, Amazon has made it very easy to move the book over to KDP. When you click the link in the KDP database (illustrated here with a title I have not yet published in print) to create a paperback, you get a form to fill out that's partly filled in from the Kindle version.



If you answer yes to the question "Have you published this book on CreateSpace?" it gives you a place to enter the ISBN (whether it's an ISBN CreateSpace assigned or one you own). Once you do that, KDP retrieves the PDFs of the interior and the cover so you don't even have to load them again. One quirk I found was that if you had loaded your book to CreateSpace but didn't actually publish it, this process won't work; you need to complete publication on CS, and then move the book over to KDP Print. You still have an option to get a draft copy from KDP if you want to be sure. I notice that instead of merely marking "proof" on an inside page, KDP puts a Not for Resale banner on the draft copy's cover,



Once the paperback version exists in KDP, the entry for that book includes a separate set of options for that version. The menu there is where you can order author copies and make changes, if needed. 




So far I have moved over three out of my six print titles. One thing I thought was better is, KDP let me price the books a couple of bucks cheaper than CreateSpace did. Now, this could have been because CS lowered their prices, too, but didn't notify authors they could change prices on existing  books, but I thought it was positive. It's much harder to compete with traditional publishing in print because you can't undercut them on cost like you can with ebooks.

Anther advantage is, your print sales (once they are shipped) show up in the same Sales Dashboard bar graph as your Kindle sales. Free ebooks "sales" are blue, regular ebook sales are gold, and print sales are gray. The Month to Date spreadsheet-style chart has a button to select paperback or ebook format.

The final advantage is, the paperback version of Alien Vows was linked to the Kindle version within 24 hours, without my doing anything to request it.

At present, I have three titles in KDP Print and three still in CreateSpace. When I get ready to publish my other five ebooks in print, I will start with KDP.


Thursday, August 2, 2018

Taking Inventory

I'm doing final corrections on Alien Vows, getting it ready for launch, but I stopped to take stock of my "stack" of manuscripts.  I put the word in quotes because the stack is digital; the books exist only as files on my hard drive.

I have been writing seriously since 1992, but I didn't start self-publishing until 2011. Since then I have published nine (soon to be ten) novels and one novella.

The unpublished novels list looks like this:

Fantasy
Bag of Tricks
The Return of Magic

Science Fiction
This Nameless World
Child of the Sand (very rough draft)

Science Fiction Romance
Alien Skies (Book 3 of the Wakanreo series)
Worlds Apart
Ice and Fire

YA Science Fiction
Nomads (or possibly Nomads of Menkar 7)
Playing with Fire -- partial m.s.  

The next one in line to publish will undoubtedly be Alien Skies because I want to finish the Wakanreo series. After that I need to decide which direction I want to go. I might alternate, and do a fantasy next and then a science fiction romance, and then repeat. This Nameless World will probably go to the bottom of the list because it's currently at 240,000 words, the longest book I ever wrote.  That's about twice as long as most of my novels, but I don't think I can split it into two books because there's no resolution point in the middle of the book.

In contrast, I have also written six short stories. It's not that I was trying to write mostly novels;it's that the stories that started in my head were mostly novels. Go figure!



Thursday, July 26, 2018

ALIEN VOWS is now available for pre-order!

The Kindle version of Alien Vows is now available for pre-order! The paperback version will be along soon, but I have to make some corrections to it. I've ordered a proof copy to be sure I want the matte cover. Delivery is set for September 5.

I've finally figured out how to handle the X-Ray feature. It's not available in the KDP author dashboard until the book is loaded and ready, so you have to make it available for sale or pre-order if you want to be able to run the X-Ray tool. At the same time, you are locked out of making changes several days before the delivery date, so you need to set that far enough ahead that you can do all your corrections and reload the file well before that date. With all the alien words in this series, X-Ray is crucial!

I always give my proofreader a copy of the formatted print pages as she finds that much easier to proof from than a Kindle copy.






Sunday, June 17, 2018

Writing in a series

Recently I sent my finished draft of Alien Vows off to my copy editor. Having finished a stage in the process of creating a book, I realized that wrestling with that story had made me reflect on how writing in a series is intrinsically different from writing a standalone story.

I have several book in my Three Con series, but that's a series only in the sense that the universe is shared. All the ThreeCon books assume a universe with the same history and level of technology, and there are some shared events but no shared characters. It doesn't matter what order you read them in.

The thing is, with a standalone story, clearly every reader is a new reader, With a true series where the same characters age throughout the books, you have to allow, at least to some extent, for three categories of readers:
  1. Those who recently read the previous book
  2. Those who never read the previous book
  3. Those who read the previous book, but it has been a good while
My two Haven books, The Sixth Discipline and No Safe Haven, are a true series with the same characters, and one is a sequel to the other. But with those books, trying to accommodate the second category of readers was less of an issue because there were no aliens with different biology. There was nothing about the cultures on Haven that needed elaborate description to make things clear to the reader. In Alien Bonds, Wakanrean biology has some fundamental differences from human biology, and those differences are crucial to the story. I have to balance how much I need to repeat a) how things work and b) what, specifically, happened in the first book when I narrate the second one. I don't want to annoy Category 1 readers or even Category 3 readers by trying to not lose Category 2.


And of course, this is Book 2 of a trilogy. I already have a very rough draft for Book 3, Alien Skies, and this is one thing that I'll have to consider all over again after I get Book 2 published and go back to working on Book 3. I'll have even more places where I need to evaluate how much info can and should be repeated.

I've never put the two covers side by side before; I rather like how different they are because the second book covers a new generation. There are, in fact, two new protagonists, even though the original two make an appearance in the second story.

It's always exciting giving birth to a book.



Saturday, May 19, 2018

Can you judge a book by its cover? (Cover reveal for ALIEN VOWS)

Well, of course you can! There's no guarantee that your judgement will be accurate, but we judge  books by their covers all the time. The overall look of the cover can tell you a lot about the book. Where (and when) is it set,? What it is about? Does it fall into a specific genre?

In some romance sub-genres (historical, paranormal, and science fiction) there's a real trend to put a man's naked torso on the cover. The man's head might not even be visible but his abs certainty are. This is a signal to the reader, It says "This book contains hot sex scenes." It works well as a signal, but of course, it doesn't distinguish one such book from another.

Recently, a post on Lit Hub had fun with the concept by taking classic novels and creating pulp-style covers for them.  Some of them aren't all that different (although I doubt there was a shirtless guy on the original Great Gatsby cover), but some are amusingly pulpy. I loved the Madam Bovary one.  Moll Flanders, on the other hand, looked like a cover the author might have selected.

So, with that in mind, how does the cover for my upcoming book Alien Vows (sequel to Alien Bonds) strike you?  This is an animated version, obviously, but except or the stars turning, it's what the ebook will look like. You will notice the guy is hot but he has his his clothes on. I don't want anyone to be disappointed and I don't write steamy; it's all happening in the book, but it's not in detail on the page.









Monday, April 23, 2018

Ta-Da! I finished the first draft of ALIEN VOWS!

I feel like a need a cigarette and I have never smoked in my life. I just finished the first draft of the sequel to Alien Bonds. In honor of that, here's the beginning of Chapter One:



“Yulayan!” Her father’s voice coming from the wall speaker make Yulayan jump. “Will you join your mother and me in the zagathuan?”

“Certainly, Ayzanai,” Yulayan said, closing her terminal.
Her parents were waiting for her in the zagathuan? This far into autumn, her mother wasn’t comfortable out of doors for any length of time unless she wore heated clothing. On the other hand, it was her father’s favorite space in all but the coldest winter months. Yulayan stood up and took a deep breath to compose herself. This might well be the moment for which she had been waiting and planning with growing impatience. She glanced at herself in the mirror, to be sure her clothes looked tidy, and none of her agitation showed on her face.

The person staring back at her looked obviously Wakanrean at first glance. Her face, covered in dense golden fur, was triangular in shape, with a curving arc of a nose and a wide mouth. Above her face, the longer crop of silver-white hair that made up her headcrest was distinct from Terran hair in that it never grew longer.

Yulayan closed her eyes as a childhood memory overwhelmed her without warning. When she was small, her mother had tucked her into bed every night. Yulayan could recall the sensory experience with aching clarity—the silky feel of her mother’s long black hair brushing her own small furred face; the sweetish scent of the perfume her mother sometimes wore; a smooth, naked Terran face looming over her, brown eyes smiling fondly.

Yulayan opened her eyes and frowned at her own image. Her eyes betrayed her Terran mother’s contribution to her genetic makeup more than any other feature. Her irises were not only an odd mix of amber and brown flecks in a murky greenish matrix, but they were too small. The whites of Wakanrean eyes showed only at the extreme corners, and Yulayan could clearly see white on either side of and even beneath her irises.

Her parents were waiting. Yulayan turned towards the door but paused as she noticed her profile in the mirror. Above her tightly fitted red trousers, not even the lose lines of her black tunic-style shirt could completely hide the round swell of her breasts. Modest they might be, but in a world where only nursing mothers had noticeable mammary characteristics, the recent flowering of her breasts had left a bitter taste in Yulayan’s mouth. This was too much to bear.

Yulayan felt a twinge of envy that Kifarao would never have to suffer this indignity, and then chastised herself for her own callousness. Her twin brother might have Wakanrean eyes, but his other features revealed his heritage to even the most casual observer.

Conscious that she owed her parents the courtesy of promptness, Yulayan walked rapidly through the short corridor that connected her room to the main room, then exited the house through the sun room.


Yulayan found the chill autumn air bracing as she crossed the lawn to the zagathuan. Located near the house and at some distance from the high boundary wall that enclosed the entire property, the outdoor room was defined by a stone foundation covered by a carpet of deep purple streaked with green and blue. The furniture was similar to that of the main room—two large sofas, a handful of chairs, each with a hassock, and assorted tables and appliances. Yulayan noted that the sound system was off and counted this as another indication of her father’s state of mind. Her father was a qatraharai, and almost always had music playing when he relaxed in the zagathuan.

“Thank you for coming, Yulayan,” her father said, rising to his feet. He stood next to the sofa where her mother still sat, and Yulayan looked at him with pride.

Kuaron Du was a true Wakanrean. He was average height for his species, but if the Terran woman beside him had stood up, the top of her head would only have come up to his chin. His silver-white headcrest gleamed in the bright sunshine, and the pupils of his amber eyes had narrowed to tiny dots. He was barefoot, too, even in the autumn chill; the claws of his toes left tiny scuff marks in the carpet. If his blue tunic and gray trousers were less uniquely Wakanrean than his features, at least they weren’t blatantly Terran, either.

“Certainly, Ayzanai,” Yulayan said, casting an appraising glance at her mother. It seemed to her that her mother looked a trifle subdued. She wore her black hair much shorter than she had in the past, barely long enough to touch her collar, which made her look older to Yulayan. Today her brown eyes were almost solemn. Even the dull red color of the fitted shirt and trousers she wore emphasized her gloom—not quite mourning clothes, but close enough to convey a somber mood.

“Kifarao will be here in a moment,” Kuaron said.

The kitchen servoid approached, but Yulayan waved it away. She was too excited to eat or drink anything.

“Here’s Farao,” her mother said, as the sun room door opened again. “Sit down, Yulayan.”

Yulayan sank into a chair and watched her brother walk across the lawn to join them. She knew from his movements that he was as anxious as she was about this family meeting. The way he ran one hand over the black hair of his headcrest was a sure sign that he was nervous. Yulayan had an epiphany as she studied her brother’s face.

It wasn’t any one feature that damned him as half Terran; it was the combination of subtle differences in the shape of his face, his mouth, his nose, his ears. There was just too much variation from the Wakanrean norm for him to pass as truly native to the planet. Not even the pure Wakanreaness of his amber eyes could save him.

Ayzanai,” Kifarao said, with a nod to their father, “Elazanai,” another nod to their mother. “I’m here as you asked.”

“Sit down, please,” their father said.

He waited until Kifarao was comfortable to speak again, and when he did, he looked first to Dina.

She nodded, and Yulayan saw that she held something in her hands. She was twisting whatever is was back and forth as if she wanted to break it apart, but it was too strong for her.

“I’m sure you both have some idea of why we’ve called you here,” Kuaron said. It hadn’t been phrased as a question, but he waited, as if he expected a reply.

Yulayan gave Kifarao a moment, but when he said nothing, she spoke up. “One of us—Farao or I—must become yarunai—so that we don’t risk becoming shahgunrahai with each other.” She added the explanation in a tone that mimicked politeness, but the tiny frown on her father’s face told her that he had interpreted her condescension correctly.

Her mother wasn’t so forbearing as to remain silent at borderline insolence. “We know how shahgunrah works, thank you, Yulayan,” she said.

Yulayan felt her face grow hot. She knew it was a Terran trait, and she was thankful blushes weren’t visible on a Wakanrean face. It always made her blush to be reminded that, Terran as she was, her mother had experienced shahgunrah within minutes of meeting her father.

“As you said,” her father said, “one of you must become yarunai. We waited as long as we could because your mother wanted you both to finish basic school here in Wisuta, but your doctors have confirmed that you’re both on the cusp of maturity. To wait any longer is to court disaster. One of you must leave immediately—within a day or two.”

Her father added the qualification when her mother started in alarm. Her mother was obviously unhappy about complying with this universal custom of her adopted world.

“We’ve called you here together for two reasons,” her father went on. “The first is because of yarun, and the second is because tradition dictates that today is the day that you finally assume the responsibility that destiny has allotted you.”

He nodded to his shahgunrahai, and Dina held out what she had twisted in her hands.

Yulayan caught the glint of silver and felt a surge of excitement. She glanced at the base of her father’s throat where a silver heicha was clipped onto his chest fur. Engraved on the oval surface was a lopsided polygon, the mark of Paruian, and a smaller glyph, in ancient Wisutan script, that represented ancestry.

Her father looked grave. “I know you both have always understood that this day would come, but I know from my own experience how different your life will be after today. It is no insignificant thing to wear this heicha. Everyone will look at you differently once they see Paruian’s mark. You may even find that you look at yourself differently.”

If they’re looking at the heicha, Yulayan thought to herself, they won’t notice my eyes.

“I know you’ve heard many times how much consternation and dissension your birth caused here on Wakanreo,” her father was saying. Yulayan had heard it all before, but she made herself listen respectfully. “Aside from the unprecedented phenomenon of a natural hybrid birth, there were those who expressed shock at the idea that the blood of Paruian had mingled with the blood of a Terran. You were almost to your second birthday before the Disciples of Paruian decided that you were indeed true descendants of Paruian. Your mother and I have kept these for you since that day.”

He held out his hand, and Yulayan saw two silver heichas, exactly like his own.

She drew in a breath as her father stepped nearer.

“And now I give them to you,” he said, bending down to clip one of the heichas to the fur at the base of Yulayan’s throat.