Wednesday, November 17, 2021
Killing off characters is a balancing act
Thursday, November 4, 2021
Travel to Wakanreo for only 99¢!
NOTE: the sale is over!
From today through November 10th, ALIEN BONDS, the first book in my Wakanreo trilogy (usually priced at $3.99) is on sale for 99¢. Grab it now!
Alien Bonds is undeniably a love story. It concerns two people, a human woman and a Wakanrean man, who meet at the beginning of the story on his world, called Wakanreo, and instantly mate from a biological reaction that occurs only in Wakanreans. But even though Dina goes home with Kuaron that night, she does not love him.. You cannot love someone you don't know. It is over the next several months that her love for him grows, as does his for her. But at the same time, the story explores the culture and history of Wakanreo. It's an attempt to show what a world would be like if looks didn't matter—if people had no choice in who they paired off with. and thus sex had nothing to do with morality. How would this uncontrollable mating affect the societies that formed on this unique world? In human history, much of the stratification of society was achieved by people only marrying within their own social order. What if it wasn't possible to enforce that kind of discrimination?
Read the book to find out! Alien Bonds is available in paperback and on the Kindle, and it's free in Kindle Unlimited.
Tuesday, October 12, 2021
For self-published authors: What is Kindle Unlimited and should I put my books into it?
Amazon, or the Zon, as some call it, has by far the lion's share of the ebook market. They also have an audiobook platform called Chirp, but I'm not going to talk about that. Today's post is about only about ebooks.
eBooks & eReaders
Amazon calls its ebooks Kindle books, because its ereader is called a Kindle. However, you can read Kindle books using the free Kindle app on almost any PC, Mac, tablet or phone. Basically, Amazon's market consists of anyone who has an Amazon account and some kind of reading device, including iPads and iPhones.
So, why does this matter to self-published authors? As an author or publisher, you can upload your books into the self-publishing platforms of Amazon (Kindle Direct Publishing), Barnes & Noble (Nook Press) Google (Google Play Books Partners Center), Apple Books and others, either directly or by using Smashwords or Draft2DIgital. But if you load them only into KDP and opt for the KDP Select designation, your books will be available to borrowers via an Amazon subscription service called Kindle Unlimited. The author is paid based n the pages read, not on the borrow, an important distinction.
Basically, by putting his or her books in Kindle Unlimited (an ironic name in a way, since all KU books are limited only to Kindle), an author promises not to put them in any other ebook store (print versions have no affect in KU status). How can this possibly benefit an author?
A lot of times, it doesn't. In my experience, whether or not KU is profitable for a book depends on three factors: genre, book length, and ebook price.
Genre
The only genre I personally have had any success with in Kindle Unlimited is romance, which in my case is actually science fiction romance, Romance readers are voracious. They read so much, it is worth it to them to pay the KU subscription fee. There may be other popular KU genres, but I have not found them. Certainly my YA books never went anywhere in KU. If you have books doing well in a KU, please let me know what genre they are!
Book Length
Because the author is paid based on pages read, a longer book automatically earns more money than a short one, assuming the reader finishes the book. Of course, if the book is truly short--a novella or a novelette--it probably sells for less, too. But length is something to keep in mind when deciding on KU, yes or no,
Price
If you price your ebook modestly (none of mine are more than $3.99), and the book is long enough, you may well make more money from a KU borrow and full read than from a sale. Of course, price will also have some impact on sale rates, too, so it's all balancing act.
Things to Remember
An important thing to remember is, the Kindle Unlimited signup is for 90-day blocks of time. You can take the book out of KDP Select after 90 days, or you can sign up for another 90 days. I usually launch with the book signed up or KDP Select but pull it out after 90 days if it's not getting enough KU reads to make it worthwhile.
Also, one benefit to keeping the book in KDP Select status is, you can run a sale or even make the book free for a select number of days per 90-day cycle. The advantage to just changing the price yourself is, the book looks like it's on sale. The regular price appears, but is struck through and the sale price shows as discounted.
You should be aware that Amazon makes no future promises on the per-page rate for KU borrows. It sets aside a chunk of money to pay KU authors/publishers, and then pays out at a rate determined by the number of reads. Right now the rate is approximately $0.004 per Kindle Edition Normalized Page. My book Alien Bonds is a tad under 130,00 words and that translates to 649 KENP pages. I made about $2.60 on the last full read. At $3.99 retail I make $2.72 in royalties on a sale, which is 12 cents more than the KU borrow. On book 2 of the Wakanreo trilogy, which is shorter, I make less on KU but on book 3, the longest book, I make more from a KU full-read than I do from a sale.
A non-financial benefit of KU is you can tell when people are actually reading your book because the page count shows on a daily basis.
And once your pull your book from KDP Select, it is no longer in KU, and then you can load onto every platform available. There is no reason not to! But always, do what's best for your particular book!
Wednesday, September 29, 2021
A few words on pricing ebooks
If you are planning to self-publish, unless you plan to concentrate on print publishing, you will need to look into your options on pricing ebooks.
In my opinion, ebooks are the reason self-publishing took off as it did. First off, ebooks are relatively easy to create, and second the per copy cost to replicate them, once you have the files in place, is zero. This means that if you are not a well known author, you can price your book very competitively (as low as 99₵) and thus compete with better known but more expensive writers. The big publishers seem to want ebooks not to sell especially well, at least when they are new, because they price them so high. Quite often the ebook version is more expensive than the paperback version, defying industry past practice that a higher price meant a more expensive to produce product.
Here's the Amazon page for Twilight, a best seller first published in 2006. The hardcover is way more expensive at $22.49 but the Kindle book is more expensive, at $10.99 than the paperback is at $9.43! And by the way, the ebook price is the same on Barnes & Noble and Google Books.
Publishers fought with Amazon to be able to control the price of their ebooks. Publishers wanted to be able to protect hardcover sales, which are very profitable. Amazon lost that battle, but you will notice Kindle books usually say "price set by publisher."
The good news is, if you're self-publishing, you (mostly) control the price! On Amazon, you get the best deal on royalties by pricing your book between $0.99 and $9.99, which is frankly, the range it's best to be in unless you're already a best-selling author.
You also control when the price changes, which means you can experiment with different prices. Be aware that Amazon price matches, so if your book is cheaper in other ebook stores than it is on Kindle, Amazon will drop the price of your Kindle version to match the others' lower price. That is, by the way, the method used to make a Kindle book free on a long-term basis. A book that is in Kindle Unlimited can be free for up to five days every three months, but except by using price matching, you cannot make a Kindle book always free, It is only because other bookstores allow free ebooks that price-matching can work to make a Kindle book free.
Sunday, September 12, 2021
Re-launch of ALIEN BONDS!
Based on reviewer feedback, and to achieve a more uniform series look, I have relaunched Alien Bonds with a new cover! Only the Kindle version has the new cover, so far. I have to do some tweaks to republish the paperback. But here it it is!
Tuesday, July 13, 2021
Snippet from Saronna's Gift
From Chapter One: Duncan Trushenko and his father own and operate a large intergalactic grading company, headquartered on a tax-free but very backward planet called Kruegger's World.
---------------------------------------
Duncan smiled to himself but was careful not to let his
amusement show. His father had been curious about his breakup with Emily
Pulaski since it happened, but
“I didn’t dislike her,”
“You can’t have it both ways, Dad. Either you want me to get
married or you don’t.”
“Don’t be silly,”
“I’m sorry,
“Well,”
“She is, she is.” Vladimir’s face lit with affection. “I can’t
tell you what a change it makes in your outlook to have someone who cares about
you in that way. It’s meant a world of difference to me to have her with me.”
Almost the only good thing about his parents’ intense dislike
for each other was it took away any guilt he might have felt for being pleased
when one of them found consolation elsewhere. “Good. I’m glad you’re happy.”
“The thing is,”
Duncan frowned. What was the old man leading up to? “I know
you’re busy. Cameron Trushenko is a major concern. Why don’t you just hire more
help?”
“Well,”
“Son?”
“What did?”
“Well,”
“I bought a woman for you.”
No, he had heard right. But the idea was
incredible. “You bought a woman for me? You bought a sentient being?”
“Now, Duncan—”
The more he thought about it, the angrier it made him. “You
thought I’d want some down-trodden, complacent, hapless little female to make
use of in my free time? You thought I’d take advantage of a woman like that?”
“Well,”
“What?”
“But,
“Saronna’s father was desperate to sell her.” The indignation
in his father’s voice gave way to a virtuous note. “She’s twenty-two in
Standard years, and she’s never been married. A year ago her mother died, and
her father stopped looking for a husband for her and tried to sell her. None of
the hill men were interested, so he came into the city. You know very well
where she could have ended up if I hadn’t made him an offer.”
“All right,”
His father shook his head. “I can’t do that. If I did, they’d
assume she’d been unsatisfactory in some way. If they let her live, it would be
as a nameless drudge without any rights.”
“God!”
“It’s Krueger’s World.”
“Not yet,”
Again
“Maybe it is,”
Repulsed,
“I wasn’t joking at all. I brought her here, and I feel
responsible for her.”
“Then why didn’t you just buy her for yourself?”
For the first time, guilt suffused
“Anyway, fortunately, I could tell Naomi that this woman
stirred no twinges of passion in me. She’s not homely or anything, but she’s
not in Naomi’s league.”
Somehow his father’s reasoning made
“You don’t have to do anything,” Vladimir said, his voice as soothing as it had been sixteen
years before, when Duncan had broken his arm and cried all the way to the
doctor’s. “But it would be nice if you made friends with her. I’m sure she’s a
little scared. She may have been brought up to think this was all perfectly
natural, but still it can’t be easy to leave your home so suddenly and move
somewhere where you don’t know anyone.”
“This afternoon.”
Less than a day. Just his luck to arrive right as the old man
suddenly went crazy. “Damn! Do you mean if I’d gotten here last week, I could
have talked you out of this nonsense?”
“No, no. I waited until you were coming home, that’s all. Like
I said, Naomi was jealous until I told her Saronna was for you.”
Wednesday, July 7, 2021
Self-Publishing 101: W is for Workflow
The thing about self-publishing is, it's up to the author to establish a viable workflow, either by paying competent people, doing the work himself, or some combination of the two. To be clear, by workflow, I don't mean writing the book, I mean turning a manuscript into a printed book and/or or an ebook. I won't talk about audiobooks because I haven't created any.
I worked in publishing for almost 30 years, and those years saw a lot of change. As I was working for a publisher of legal and regulatory information rather than fiction, it was a very different workflow from producing novels. Over that span of time, my company's focus changed from print to digital because our customers were better served by information that could be delivered faster, updated more easily. and accessed from multiple places, as opposed to having to open a book or a binder on a shelf.
| Espresso Book Machine |
In fiction publishing, that transition hasn't happened as thoroughly. Print is still very viable, but there is also a digital market—both ebook and audio. But the biggest change in fiction publishing has been the advent of self-publishing. Print-on-demand technology allows booksellers to print a book only when it has been ordered. The availability of ereaders (such as the Kindle), tablets, and even cell phones have created a market for ebooks, which are delivered via the web. Because of these two developments, self publishing has taken off. And now, individual authors are learning things abut producing books that traditional publishers have known for a long time .
Workflow is a huge part of publishing. If your book is published by a major publisher, your part of its workflow will consist mostly of turning in your manuscript, and reviewing and approving edits and the cover. There may be a lot of back and forth between you and the editor and publisher but that won't involve you creating the print or digital pages. With self-publishing, unless you hire someone to do workflow for you, you are on your own. The one part of workflow I always hire out is doing the cover, because in additon to artistic talent, it takes a lot of specialized skills I don't have. Page layout and ebook production are, for me, much easier tasks than creating a good-looking, marketable cover. The thing to remember about publishing a book is, it's never going to be perfect the first time! You need to be able to make edits, right up to and even after publication. And since you are publishing in multiple formats, you need to consider how those edits will be made. If you format the print edition yourself, you need to be able to create headers and possibly footers and paginate the main part of the book separately from the front and back matter. After some frustrating efforts to do page layout for my books with MS Word, I have been switched to Adobe InDesign for formatting my paperbacks (and two hardbacks!) partly because it can also output an epub file as well as PDF. InDesign is not easy to learn and you can no longer buy a copy outright, but it is available on a subscription basis per month. I find it useful because in addition to formatting books, it can create web page banners and similar files. It cannot edit individual images in the way that Adobe Photoshop does, but it lets you place one or more images on a page (print or digital) and add text and color. Also, once you know how, formatting a book in InDesign is very fast.
Friday, July 2, 2021
The North Edge of Nowhere is free for a few days!
The North Edge of Nowhere, the first half of the Nameless World duology, is free in the Kindle store until July 6. Here's what an Amazon reviewer had to say about the story:
"The world building is great, the non-Terran animals are wonderful, and the nameless world is fascinating. Buxton's sleeper worlds aren't all grim places; the Northern Domain seems the best of all. Although Darius is young and angry, Nowhere isn't just a book for young adults. I highly recommend it as another excellent ThreeCon book."
The reviewer points out that although these book are not marked as part of the ThreeCon series, the story is set in the ThreeCon universe.
Get Book 1 while it's free!
Tuesday, June 22, 2021
Character names: Why is he just Willoughby?
Characters' names can have meaning in stories. I try to maintain a pattern to naming characters, when I think it's important to the story. In my fantasy romance Bag of Tricks, I imagined an eastern European setting, so I named the male main character Zarek, a name found most often in Poland and Hungary. But because the female lead was a woman who had wandered far from her home, I gave her the French name Aveline (even though in my fantasy world, her country of origin was north of where Zarek came from. I mean, it is a fantasy).
In the far future, on the other hand, I can see names merging and race and ethnicities blending. In my science fiction romance Worlds Apart, some of the population of the colony world Celadon are Greek-speaking refugees, who didn't want to be assimilated, and so they lived separately on their new world, keeping their language while forming a new culture. Those characters all have Greek names, naturally, but in some cases I used names from Greek mythology, and the hero is actually named after the most famous sculptor of the classical age, Praxiteles. On a friend's advice, I gave him the nickname Prax so it was easier for readers who didn't have an art history teacher who drilled the name Praxiteles into their heads, as I did.
In the same book, among the strangers who come to Caledon from more cosmopolitan worlds are a man named Hari Ijiomah (a South Asian first name and an African last name) and Rishi Trahn, another South Asian first name, but with a twist because it's a man's name and Rishi is a woman, the heroine, in fact. Trahn is South East Asian, so that gave me even more variety. And for a real mix there is a also a secondary character named Ingrid Nakamura.
Sometimes. especially if I work on a book long enough, the characters' names become fixed in my mind. The Nameless World duology was written as one very long book and later split into two books. It took me so long to write and polish the book(s), that the characters' names became a part of them that I couldn't contemplate changing, even after a beta reader suggested that having two principal male characters' names both starting with D (Darius and Daniel) was not a good idea. Too late! Darius and Daniel they stayed.
I got to thinking about the importance of book character names because in the pandemic-induced isolation, I have been re-reading a lot, including some Jane Austen books. Let me add, if you're inclined to do this, I would not bother with Mansfield Park. I could not believe how prosy and long-winded it is! Pride and Prejudice holds up well, as does Sense and Sensibility, which brings me to my point. In 19th century Britain, there was more formality about names. Only good friends called each other by their first names. Indeed, in Pride and Prejudice, Elizabeth Bennet's parents called each other Mr. Bennet and Mrs. Bennet, at least in front of others. Darcy and Bingley are sometimes Mr. Darcy and Mr. Bingley and sometimes just Darcy and Bingley, especially in conversation. But in Sense and Sensibility, Marianne's love interest is almost always called just Willoughby. There are about a dozen or fewer instances of "Mr. Willoughby" being used but he is mentioned hundreds of times in the books as just plain "Willoughby." Even Marianne calls him Willoughby, not John. I wondered if, having named him John Willoughby, Jane Austen was in some way trying to signal the reader that just-plain-Willoughby was less of a gentleman than her other important characters? He certainly acts badly in getting Marianne to love him, all while knowing he won't ever marry a woman with no money. I have no way of knowing if Austen did it on purpose, but I did notice the Willoughby difference.
So, do other writers obsess about characters' names? Do non-writers? Just me? Oh, well.
Monday, June 7, 2021
Musings on my muse: The care and feeding of my inner control freak
If you met me, you would probably think I'm perfectly normal. But inside, I do have a quirk that makes me a tad different from most folks: on one level, I'm a control freak. This might surprise a lot of people who see me as reasonably laid back (except when I'm worried about my kids, and then I freak out).
But I'm a different person when I write books. It's not just being a writer that makes me different. Technology has made it much easier to write and to publish, which has revealed that gazillions of folks have that ambition. Some of them write hoping to make money, some write hoping for recognition or fame, and some write because they enjoy it. I write because I want people to read what I have written. Let me stress that—what I have written. What appeals to me writing stories is that by writing them as science fiction or fantasy, I control not only the characters but the setting. I can create my own worlds, each with its own appearance, environment, inhabitants, and cultures. And I can populate those worlds with whatever characters I think would make for an interesting story.
In the Wakanreo trilogy (Alien Bonds, Alien Vows, and Alien Skies), I created a world where an alien people mate because of biological reaction that cannot be controlled. I wanted to create a society in which sex was completely divorced from morality, and where nudity was not linked to a desire to provoke a sexual reaction. I also foresaw greater equality between the sexes and among socioeconomic groups; because there was no such thing as marriage, either arranged or from affection, and divorce did not exist, class structures were too difficult to enforce. Also, since pairing off was purely pheromone-driven, looks didn't matter. Add to this the question of love; just because you paired off with someone doesn't mean you have to love him or her.
In Tribes, I wanted my readers to inhabit a world where there was one overriding loyalty, at least in a legal sense. Belonging to a tribe was a a life-long and immutable thing. One's tribe provided security, a safety net against disaster, and also determined what was legal for an individual. On the other hand, if someone had no tribe, his life was doomed to slavery, drudgery, and degradation. Interjecting a slave into such a setting provided a way to see how the other characters behave toward him.








